You can reach "Early Music by Women Composers" here. Third Text: Third World Perspectives on Contemporary Art and Culture,
The Inside the Visible: Alternative Views of 20th CenturyĪrt Through Women's Eyes at MIT press here. Women in Cinema: A Reference Guide, which is here.Ī good source for feminist theories of music can be found here. Its 10th year, is Women and Performance: a journal of feminist theory.Īn excellent resource for feminist theory of cinema is Paradoxa - International Feminist Art Journal, which you can reachĪnother wonderful feminist art journal, which is celebrating There is a fascinating feminist art journal called N
The National Museum of Women in the Arts in Washington, From the provocative "Representations of the Penis," which suggests novel readings of familiar images of masculinity and introduces new ones, to "Appropriated Sexuality," a trenchant analysis of David Salle’s depiction of women, Wet is a fascinating and informative collection.Ĭomplemented by over twenty illustrations, the essays in Wet reveal Schor’s remarkable ability to see and to make others see art in a radically new light.Christina von Braun Feminists on other sitesĬindy Sherman Other Individual Feminists: Articles range from discussions of contemporary women artists Ida Applebroog, Mary Kelly, and the Guerrilla Girls, to "Figure/Ground," an examination of utopian modernism’s fear of the "goo" of painting and femininity. Collected here, these essays challenge established hierarchies of the art world of the 1980s and 1990s and document the intellectual and artistic development that have marked Schor’s own progress as a critic.īridging the gap between art practice, artwork, and critical theory, Wet includes some of Schor’s most influential essays that have made a significant contribution to debates over essentialism. Writing from her dual perspective of a practicing painter and art critic, Schor’s writing has been widely read over the past fifteen years in Artforum, Art Journal, Heresies, and M/E/A/N/I/N/G, a journal she coedited. Taking aim at the mostly male bastion of art theory and criticism, Mira Schor brings a maverick perspective and provocative voice to the issues of contemporary painting, gender representation, and feminist art.
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